Thread:Kiadony/@comment-5916303-20150109235614/@comment-5916303-20150213151820

Those are the books I was talking about, most of them were adapted the exact same way I pictured it. Especially the sixth movie. I think it's because J. K. Rowling watches with every word how she describes her fantasies. Agreed on the movie, a lot of stuff was omitted from the books, the movie turned out pretty well IMO, but I would have gladly sat for 8 hours straight to watch a single HP movie with all the content from the books than to have half of it cut off. Lots of people were at certain points confused as to what happened here and there. Like, how the Death Eaters kept finding Harry's group. There also wasn't any sort of mentions of other students who fought in the war nor did we see some of their deaths, just laid out bodies for us to see.

Have to agree with you on this, Bioshock is definitely one of the most iconic games out there with its, a bit strange, but awesome elements. It has a lot of memorabilia in it as well, I personally like how the game prevents you from shooting at friendlies in a humorous way. Though I can exemplify here, Heavy Rain did an excellent job with the QTEs. One thing I hate though is when the grand finales are left as quick events, I mean, this is something you've been building up this whole time just to have it turn into a short movie.

Lol, I keep imagining ninjas with Nazi Swastikas on their head bans when you put it like that, make sense why you also like FMA. This is probably the best manga of all time, the author, can't remember her name, designed everything perfectly; limited amount of characters, perfect story line, fair character development and no plot holes, I really loved how everything tied in together. Plus, each character and Homonculus had a fitting death. One thing I theorized is that thing behind the gate symbolizes the divinity that humanity still can't comprehend. Did you also notice how it takes the form of each visitor it gets? Sort of showing that there's not one, but multiple perspectives of the divine.